Event Detail

Lydia Loveless is an Ohio-bred singer-songwriter with five full-length records and numerous B-sides and singles under her purview. The unmistakable voice, an incisive way with melody, and an unrelenting willingness to cast the first stone inward are all hallmarks of Loveless’s songs. Her vocals meld between commanding and brash to delicate and introspective and subject matter entertains everything from broken hearts to messy dreams. Writing straight from the heartland, her brand of rock ranges from classic to alt-country to punk – a genre hard to nail down.

 

Her breakout release, Somewhere Else (2014) was followed by the critically acclaimed Real (2016). The albums were embraced by critics and listeners alike, with her fanbase growing to even include some of Loveless’ heroes like Lucinda Williams and Jason Isbell. Those luminaries would become tour mates as Loveless and her band lived out of suitcases, working tirelessly in support of these releases. A time filled with many exciting firsts like TV appearances (CBS This Morning: Saturday Sessions) and festivals (Stagecoach, AmericanaFest), broadening her fanbase and introducing her to many new fans. Unfortunately, that momentum would come crashing down as 2020 hit and the world came to a standstill.  

 

In the wake of the pandemic Loveless made the most of her time performing online shows, writing and recording a record and starting her own record label, Honey, You’re Gonna Be Late Records. The first release on it was her fifth full-length Daughter. The album documented a period of personal upheaval, including a divorce and an interstate move away from her longtime home of Ohio. Written with her characteristic candidness and razor-sharp wit, Daughter is a self-aware journey into independence, finding Loveless at her fiery best, exhibiting an even keener insight than ever.

 

Loveless recently released a digital single “You’re Leaving Me” b/w “Let’s Make Out” (2021) which had the Chicago Reader saying, “Her ace songwriting remind(s) listeners that she’s more than a singer.”  As the world begins to unthaw she’s taking 2022 to finally get back to live performances and begin work on her next album.

Brandon Good enters the Americana parking lot through the side door of the punk club. Leaving Manhattan, Illinois in 2008 to move into the city, he found a place as multi-instrumentalist in Chicago heavy-hitters Flatfoot 56. Years of heavy international touring, festing, and studio albums later, punk cred intact, his first solo material The Anvil emerges. Swimming in the same stream as other punk-goes-Americana acts before him, Brandon makes good on the precedent and lets the muddy waters of rock ‘n roll, folk, and country converge and roll him to the Promised Land. These divergent worlds are expressed not only in his person, but in the record of his original compositions.

The Anvil EP was recorded, mixed, and mastered by Brok Mende (AudioTree-Chicago, Friends of Friends Studio-Jacksonville, FL), and by Harry Smith (Martina McBride) on the electric guitars, bass, and dobro with pedal steel support from Kyle Everson (Jake Owen, Martina McBride, BubbaSparxxx), by Brandon Good at his home, and at Phat Planet Recording Studios in Orlando, FL.

Relocating to Marquette, MI in 2017 gave Brandon Good the space to begin a family and start work on his new songs and record before landing back in Chicago’s Hermosa neighborhood in Summer of 2020